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2013
(118)
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January
(25)
- A "mash giach" and the additional expense of koshe...
- Nostalgia
- A tale of two pamphlets; a blood libel pamphlet an...
- On an unusual attempt to sell the Hebrew poems of ...
- If you implement a Triennial Torah reading cycle w...
- Who am I?
- Chocolate laced with ham
- On cutting off peyos to comply with a Czarist edic...
- A copy of the ketubah of a giyoret in New York fro...
- A Christian observer calls attention to the lack o...
- Jewish peddlers
- Would you like fries with that?
- An amusing foray into philology
- והצדיקו את הצדיק - explaining a bibliographical er...
- An impression of Jewish Vilna from the 1840s
- A Maimonidean political endorsement
- Cracking Google Books, a public service announcement
- On a guide to decoding Jewish documents and letter...
- On Yiddish and German, from 1829
- A rather unsympathetic portrait of the Rebbe of Sa...
- Increase Mather on Gynecandrical Dancing
- Printing in Roedelheim before Heidenheim?
- Shadal series #16 - A partial translation of Shada...
- An execution by guillotine described in 1818
- A Detroit family's conversion to Judaism in 1916
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▼
January
(25)
Shadal Series
#1 How was the Tetragrammaton actually pronounced?
#2 On Hirsch's 19 Letters and a controversy about the meaning of it's Hebrew title
#3 On the important role played by printing never-published old works.
#4 Disapproving of R. Samson Raphael Hirsch's predilection for German
#5 What does Morenu really mean?
#6 On facing the truths of history and autobiography
#7 On alienation from his teachers, and a public retraction
#8 To what does "Nothing Jewish is Alien to Me" refer?
#9 Samuel David Luzzatto's Letter to the Ethiopian Jews
#10 On Shimon ben Shetach and the 80 Witches
#2 On Hirsch's 19 Letters and a controversy about the meaning of it's Hebrew title
#3 On the important role played by printing never-published old works.
#4 Disapproving of R. Samson Raphael Hirsch's predilection for German
#5 What does Morenu really mean?
#6 On facing the truths of history and autobiography
#7 On alienation from his teachers, and a public retraction
#8 To what does "Nothing Jewish is Alien to Me" refer?
#9 Samuel David Luzzatto's Letter to the Ethiopian Jews
#10 On Shimon ben Shetach and the 80 Witches
For Posterity
Blogs to Read
- Abecedaria
- Academic Talmud
- Avakesh
- B-Hebrew Archive
- Ben Atlas
- Chabad-Revisited
- Codex
- Consider the Source
- Cursive Project
- Eclectic Jewish Thoughts
- Emes Ve-Emunah
- English Hebraica
- English is essentially...
- Evangelical Textual Crticicism
- H-Judaic
- Hagahot
- Hebrewbooks.org
- Hirhurim
- Historical Jewish Press
- Ivritype
- J-Virtual Library
- JTS Digital
- Jewish History Channel
- Languagehat
- Library Thing
- Mail-Jewish Archive
- Maven Yavin
- Mekorot
- Menachem Mendel
- Modest Proposals
- Netivat Soferet
- Notrikon
- On This and That
- Oy Vey Cartoons
- Paleo-Judaica
- Parsha Blog
- Philologos
- Rationalist Judaism
- Realia Judaica
- Seforim
- Shimush Chachamim
- ThanBook
- Thinking Through My Fingers
- Tipsy On Books
- Toldot Am Yisrael
- Treasures of Ashkenaz
- Visit Hasidim
- YU Torah
- Yomin D'min Alma
- אישים ושיטות
- בין דין לדין
- דבר אחר
the=they.
ReplyDeleteThey used a ladder.
Someone stood on a shoulder of another.
They tied the string there when the tree was shorter.
Maybe it is only a figment of the artist's imagination.
they added weight to the end of the string and threw it.
ReplyDeletehttp://judaisme.sdv.fr/histoire/historiq/consisto/rneher.htm
ReplyDeletehttp://www.thelma-yellin.co.il/michal/history-michal/frames3.htm
DeleteTranslation of the French in case anyone wondered:
ReplyDelete"Leave behind this vile trade, renounce usury
To arts and to crafts add agriculture"